![]() You can even use Deflemask to actually program the original consoles! Too bad we didn’t have them handy this time, so we used Deflemask’s emulated sound, which was good enough. They were made using Deflemask, which is a free “Tracker-style” program emulating the sound of many old game platforms, such as NES, Sega MegaDrive, Commodore 64 and Game Boy. Cubase, Super Audio Cart, Serum and Battery 4 were some of the software instances used in composing the soundtrack.Īfter delivery, it was also agreed that we would deliver realistic 8-bit sounding versions of two tracks. A total of 26 tracks were created, including two for trailers, and a bunch of sound effects. It could be described as “8-bit on steroids”. True to this paradigm, the music of 999 was a modern production created in the spirit of the classics. While the graphics and sound of these games remain close to the original 80’s classics, modern platforms give developers freedom to expand beyond the limitations of the original consoles. Some more famous titles of the genre include: Undertale (2015), Hotline Miami (2012), Shovel Knight (2014) ja Super Meat Boy (2010). Known as “Chiptunes”, this music style has been popular in recent years and it is used a lot in retro “Pixel art” style game productions, which are embracing the graphic style of old 8 and 16 bit games. The challenging difficulty and 999 game levels make for a long-lasting challenge for just about anyone.ĭan’s vision included music that sounded like the original 8-bit Nintendo system. You could pass some levels easily, while others are… well, super difficult. The levels feature a psychedelic color scheme and they are just fun to play. You use a mouse to control the ball-shaped character, making it jump and giving it a trajectory. Since the beginning of the project, Dan’s idea was to create a “super difficult” puzzle game with 999 levels and 999 player lives. It’s their second Steam game, and the seven others are for Android. Popverstas got to make music and sound for their ninth game, aptly titled 999. In Swindon, there is also the indie developer Tydecon Games, led by Dan John. We go to Swindon, Great Britain, where you can find one of the biggest roundabouts in the world, comprised of five smaller ones. G’day to you all from Popverstas, the game music & sound producer from the land of 1000’s of lakes! We continue reporting on our productions, this time in English. Needless to say, trying to squeeze your creations to the limitations of an 8-bit console can be a bit of a challenge. While Cuphead mirrors the music prominent in the 1930s, Shovel Knight looks to mirror specifically game music around the late 1980s and 1990s.īoth games make use of different tones, frequencies and melodies to convey certain moods, and make their tracks fit the theme of the level or situation whilst keeping their strict theming and instrumentations.“ you have virtually unlimited tracks at your disposal. Cuphead, however, is meant to mimic a much older sound than Shovel Knight is. However, one key similarity is that both games soundtracks are purposefully old-fashioned to fit the theme of the game. Where Cuphead’s soundtrack is entirely made from real instruments and orchestras, Shovel Knight’s is entirely computer-generated. The main, and possibly most important different is the instrumentation. ![]() ![]() To compare the two game soundtracks isn’t so difficult. Unlike the boss music, this track uses quite upbeat, or otherwise exciting melodies, and lacks any sinister and angry tones. This is one of the very first levels, meaning the music purposefully invokes a feeling of joy, adventure and exploration. This is another track from Shovel Knight, and whilst it’s still very 8-bit inspired, this one has a very different overall tone and theme. ![]()
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